The Holy Trinity – OGM

THE HOLY TRINITY is a visceral exploration of the concept of woman and how, since its inception, it has been one of the most malleable and reviled words in history. Being a woman has been conditioned by external factors such as society, politics or religion, which have influenced the collective and personal mental construction of the role of the female gender. After a complex research process that went through personal places such as the dancers’ life experiences, historical events or more contemporary references such as video games and movies, The Holy Trinity emerges as a struggle that we feel as a tense choreography, between what we know and what we think we know. Undoubtedly an inexhaustible journey that exposes this historical and social burden that we have inherited and of which there is only one way to get rid: to cut the rotten roots of this legacy.

Data sheet

Direction, choreography and original Idea: Eduardo Vallejo Pinto

Assistant Choreographer: Michela Lanteri

Performers: Yaiza Caro Martinez, Michela Lanteri, Marta Pomar, Yadira Rodríguez and Teresa Royo

Original Music and Sound Space: Iván Solano

Lighting Design: Kira Argounova

Costume Design: Eduardo Vallejo Pinto

Costume Making: Piedad Valles

Dramaturgy: Eduardo Vallejo Pinto

Coaching: Fran Arráez

Audiovisual Production: Belén Herrera de la Osa

Photography and Graphic Design: Alba Muriel Meléndez

Press and Communication: Elena Garrán

Technical Coordination: La Cía de La Luz S. Coop. Mad

Production: Batbox Productions

General Production: Eduardo Vallejo Pinto

Executive Production: Diego Cavia

Running time: 55 minutes