This piece, interpreted by Eduardo Vallejo and Javier Monzón, delves into the uprooting we feel when we return to our own origins, a contradictory reunion in which we come to feel “our land” as something alien and unrecognizable. Mother Tongue is a vital journey that calls for change, questioning the essence and permanence of our own experiences. “We are trees that share the same root but have borne different fruits.”
OGM
The Holy Trinity – OGM
THE HOLY TRINITY is a visceral exploration of the concept of woman and how, since its inception, it has been one of the most malleable and reviled words in history. Being a woman has been conditioned by external factors such as society, politics or religion, which have influenced the collective and personal mental construction of the role of the female gender. After a complex research process that went through personal places such as the dancers’ life experiences, historical events or more contemporary references such as video games and movies, The Holy Trinity emerges as a struggle that we feel as a tense choreography, between what we know and what we think we know. Undoubtedly an inexhaustible journey that exposes this historical and social burden that we have inherited and of which there is only one way to get rid: to cut the rotten roots of this legacy.
Data sheet
Direction, choreography and original Idea: Eduardo Vallejo Pinto
Assistant Choreographer: Michela Lanteri
Performers: Yaiza Caro Martinez, Michela Lanteri, Marta Pomar, Yadira Rodríguez and Teresa Royo
Original Music and Sound Space: Iván Solano
Lighting Design: Kira Argounova
Costume Design: Eduardo Vallejo Pinto
Costume Making: Piedad Valles
Dramaturgy: Eduardo Vallejo Pinto
Coaching: Fran Arráez
Audiovisual Production: Belén Herrera de la Osa
Photography and Graphic Design: Alba Muriel Meléndez
Press and Communication: Elena Garrán
Technical Coordination: La Cía de La Luz S. Coop. Mad
Production: Batbox Productions
General Production: Eduardo Vallejo Pinto
Executive Production: Diego Cavia
Running time: 55 minutes
No Time to Rage – OGM
NO TIME TO RAGE is a long piece for seven dancers that exposes the conflict experienced by the individual who decides to confront society and, therefore, himself. Deconstruct to build. A journey of dualities, in which the individual who wants to survive and transcend must face his environment, abiding by the exclusion and rejection of others. No Time to Rage viscerally presents a pseudo-futuristic society in which its participants believe they are free from established conventions and roles, who look to their own navel so as not to recognize that they themselves were the ones who created the place they cannot now. get free. This work reflects the dark contradictions that are part of freedom itself, but sheds light on it, on this innate desire, impossible to extinguish, in each one of us.
Data sheet
Direction, choreography and original idea: Eduardo Vallejo Pinto
Performers: Javier Monzón, Eduardo Vallejo Pinto, Michela Lanteri, Valentina Pedica, Mai Matsuki, Yaiza Caro Martinez and Marta Pomar
Original music and sound space: Iván Solano
Lighting designer: Kira Argounova
Costume design: Piedad Valles and Eduardo Vallejo Pinto
Coaching: Fran Arráez
Production: Batbox Productions
Project management and production coordination: Diego Cavia
Video: Belén Herrera de la Osa
Photo: Alba Muriel Meléndez
Graphic design: Diego Cavia
Running time: 70 minutes